Friday is Finally Here!

It's been a tough week and a half.  Mid-week last week, I was hit with an asthma attack.  They're rare, but when they come along, it's like being being slammed head-on by a semi.  No warning, just WHAM!  I struggled through the weekend, felt better on Sunday, and decided to do a little weed-eating in the backyard.  Bad decision.  By Monday, I couldn't walk ten steps without thinking I would never be able to take another breath.  I went to the health care clinic Tuesday morning, spent almost $200 on an inhalation treatment and meds, and was breathing fairly well again by that night.  It's been better each day since then.

Oh, did I mention that when I got up on Mother's Day, I discovered the power supply on my computer had died?  I ordered a new one on Monday, it arrived late Wednesday afternoon, and I had it installed just after midnight.  Four days with no computer.  It's tough enough when the internet goes down for a day or two, but MY COMPUTER?

Now you know why there have been no blogs.

My plans for the weekend?  No weed-eating, that's for sure.  Gutting my office may be the best thing to do, since I've been thinking about it for months and getting nothing done.  Or my bedroom.  Or the kitchen.  There's always plenty of things waiting to be done, aren't there?  Friday comes along at the end of a work week, then flips over to Saturday, when all the other things in life need attending.  The one thing I can honestly say that there's never a time when there's nothing to do.  I've totally forgotten what being bored is.  I guess that's what makes life exciting.

Now that school is almost done for the year, I'm looking at what I want to accomplish, beginning next Friday, the FIRST DAY OF SUMMER VACATION!  (Whatever a "vacation" is.)

I'm working on edits for a book I plan to self-publish, hopefully this summer.  Set on the coast of Maine, the 3-book mini-series follows the Divine Misfits, three high school best friends who have gone different ways, but are coming together again after the death of the fourth misfit. I'll take you along on this crazy ride into the new publishing platform and share the ups and downs.  It promises to be interesting, if nothing else.

 I also have a three-book proposal for three half-brothers, who inherit a ghost town in Texas, to work on for Harlequin American.  It's going slowly.  Agonizingly slow.  I'm hoping that by doing the edits on the ebook above, I'll get my mind back into writing again.


And I have a couple of announcements.  My next Harlequin American, THE COWBOY MEETS HIS MATCH, the next to last book of the Desperation (Hearts of Desperation) mini-series will be available in August.  This story is close to my heart, as it centers around Erin Walker and her long-ago love, Jake Canfield.

One Big Secret…

Broke and in need of a job, barrel racer Erin Walker has returned home after years of traveling the rodeo circuit. But the only job available is working for the man who broke her heart and left her pregnant and alone. Not a day goes by that she doesn't wonder about the son she and Jake had, whether he's happy with his adoptive parents or what her life would have been like if the three of them had become a family.

Jake Canfield just wants to get close to Erin again and perhaps rekindle what they once had. But is that possible? It depends on the sudden appearance of the one person who could bring them closer together!

Stop by my website, RoxannDelaney.com, for more about THE COWBOY MEETS HIS MATCH (my 15th book!) and an excerpt.  I'm planning a few give-aways and contests, so stay tuned here and on my author page on Facebook.  If you haven't visited there, please stop by. The last of the series will be available in April 2015, and then we'll hopefully be off to Hallelujah, Texas, and those ghosts!

Last but not least, my five Silhouette Romance books are available as Silhouette Romance Classic ebooks.

RACHEL'S RESCUER, my very first published book and the first of my SilRoms, won the Maggie Award in 1999 and set me on the path to publication.  It was also a National Reader's Choice Award Finalist in 2001.  You can find them at Amazon and Barnes & Noble, among others.

So there's my plan.  My Friday plan, at least, spilling over into summer.  Do you have a plan?  Have you been working on goals?  Because now is the best time to get started on those!  Feel free to share, because your enthusiasm will spill onto others, and how great is that?

The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun. ~ Christopher McCandless

Crash & Burn

The past week as been...  Well, exhausting would be a good description.  A week ago today, I did a final polish on To Love a Cowboy (working title) and sent it off to my editor and agent.  One major thing crossed off a very long To Do list.

The funeral of my friend Mickie (see blog post below) was held on Thursday.  A sad day, brightened only by getting to see (and hug!) old high school friends, then a chance to spend some time with one of my BFFs.  Plans went awry, and I hurried back to the city to pick up the youngest  granddaughter and, later, the daily chore of picking up the other four g-kids from two schools.  After getting out of bed and hour earlier than usual to take oldest granddaughter to school, Friday was spent catching up on little details, then running through the usual pick-up-the-g-kids and the normal catch-up with other things, such as websites, email, Facebook...

By the weekend, I was ready to do as little as possible, but a request from my youngest daughter late in the day to run a shopping errand for Christmas things too precedence.  Then supper at oldest daughter's and off to bed.  Sunday turned out to be a sleep-in day, then hurrying to catch up on the time spent sleeping.

Somewhere, exhaustion set in, which dribbled into Monday and lasted through the day and a too-late night.  Then yesterday, momentum picked up.  Catching up with laundry and cleaning a bedroom took up the day and early evening.  At least the clean bedroom provided a catalyst to get up and move.

Now I'm back to Wednesday again, with all but one thing left to get done of the dozen on the To Do list.  The plan had been to take the week to do much-needed cleaning.  While the bedroom isn't completely finished, my office disaster, thanks to deadlines since July, needs immediate attention.  I'm still trying to find out how the belongings of others find their way into a room that should be exclusively mine.  Okay, mine, the cats' and the dog's.  Oh, and Johnny Depth, the Beta fish.

At least the center of my desk is relatively clear.  That's a good thing, because tomorrow I'll be working on AFS (Art Fact Sheets) for the book coming out next August.  What's an AFS?  It's information about and photos of the main characters of the book, with three scene descriptions and a short and sassy thirty-word teaser about the book.  All for the cover.  But that's for tomorrow and the weekend, if necessary.

If the old saying, "No rest for the wicked" is true, I rank right up there with the Wicked Witch of the West.  But even she crashed and burned.  Okay, she melted.  And that's how I'd been feeling for the past week, until, as in the Broadway play and book, Wicked, by Gregory Maguire, Elphaba rose again.  (For those who haven't seen or read Wicked, that's all I'm going to say. ::wink:: )

November is coming to a close in only a week and a half.  And then the crazy month of December descends on us.  We shall overcome!  Or at least I will.  Determination at its best.

Friday's blog topic?  Writing tips...but which one?

 Laughter and tears are both responses to frustration and exhaustion. I myself prefer to laugh, since there is less cleaning up to do afterward. ~ Kurt Vonnegut  

The Perks of Writing a Series

Why would a writer consider writing a series?

I've already blogged about what a series involves and how to keep track of the information involved in writing that series.  Now let's see why a series can be a plus for a writer.

Throughout the ages, series have been written, read, and reread.  Many of them have been written for children.  The most popular include Anne of Green Gables, Harry Potter, Little House on the Prairie, The Babysitters Club, The Hardy Boys, Nancy Drew, and Trixie Belden.  Adult series include Sherlock Holmes, A Song of Fire and Ice, and too many in-between to list.  Everybody has their favorite. :)

What is a series?  According to Dictionary.com, a series is a set of successive volumes or issues of a periodical published in like form with similarity of subject or purpose.

CONNECTIONS MAKE IT EASIER

The "similarity of subject or purpose" can also be called "connections."  It only takes one book or idea to spawn more.  In that one book or idea, a writer has a variety of connections from which to create a series.  If you're looking for one, the following are a start.

Theme
Because series books already contain some type of connection, there's a huge chance you have a theme.  Whether it's family, a town/city/area, shared backgrounds, fighting the bad guys, weddings, saving a marriage, sheikhs, cowboys and ranchers, babies, good vs. evil, and more, there's a basic theme or thread that runs through all of books.

Characters
Most books don't involve only one, main character.  In fiction there are two: the protagonist and the antagonist.  In romance, there are also two:  the Hero and the heroine (H/h).  These second two may switch roles as protag and antag.  Whatever type of book you're writing, each of these two characters has:

• Background - Friends or a acquaintances, occupation, hobbies/interests, training, school(s), life experiences, and more.
• Family - Bothers, sisters, cousins, parents...
• Conflict - What keeps them from getting whatever it is they want

Setting

• City, small town, apartment complex, neighborhood, office, armed forces, jungle, desert, distant planet, the future, the past, alternate reality
• Seasons or weather related.  For instance, three books could be three different stories about surviving the same natural disaster.

MINOR CHARACTERS

The role of a minor character can lead to the role of a major character (protag/antag) in the next book.  This could be a friend, relative, or any other character that appears or is mentioned (introduced) in the first book. The latter can be used especially for longer series that isn't necessarily based on a family.  At least that's what I discovered when 2 related books became an 8 book series.

Summary aka let me confuse you:  After the line I first published with closed, I sold a book to Harlequin American.  I needed more and wondered if anything I'd considered writing in the past would work for this new-to-me line that focused on Home and Family.  I had two stories that were interrelated by the two heroes being friends (1st connection-friends).  These were stories and characters I'd always liked and had hoped that some day they would be published.  They were originally set in two different areas, so to help tie them together a little more, I decided to move the second book to the same setting as the first.  Desperation, Oklahoma (2nd connection-town) was born.   The heroes were both rodeo cowboys (3rd connection-occupation), although they didn't compete in the same events.  One was a bronc rider, the other a bull rider.

So now I had two heroes, Hero1 and Hero2.  While working on those, I discovered some old notes on a story about Hero1's younger brother, who had run away and vanished when he was in high school.  Their father had died, their mother had deserted them, and little brother had picked up and left, early on.  My editor, however, wanted to see a story about the sister of Heroine2 (1st connection for bk3) .  Okay, that was doable.  Enter Heroine3.  Add Hero3, the town's sheriff, and there was the story's 2nd connection: the town.  I adjusted Book 2 to add in a mention of a secret relationship between what would become Hero3 and Heroine3, and decided not to go with the younger brother quite yet.  I had an idea.  Why had the mother of Hero1 deserted her husband and two sons?  Answer:  She was pregnant and too young to be the mother of three.  Of Native American heritage, she wanted to join the rodeo and did.  Aha!  A secret sister!  Heroine4 was created, the unknown sister of Hero1 (1st connection-family, and a new character).  Heroine4 knew who her brothers were and she arrived at her brother's ranch, looking for a job as a wrangler for Heroine1's boys' ranch.  (H/h1 were, by this time, married with a young son).  A revisit to the setting in the first book created the 2nd connection of both ranch & town.  Hero4 was the head wrangler, and of course the two butted heads.  And he was a new character.

Still with me?  Yes, it can be confusing. 

PIotting for future books, if there might be chance there might be some, I'd added a new female doctor to the town.  Hero5, Hero1's younger brother, (1st connection-family) arrived at the ranch in the epilogue of Book 4 (2nd connection-ranch & town).  Yes, his story was next.  Because of a debilitating injury, Hero5 was tended to by the female doctor (Heroine5).  As it turned out, the doctor had a brother, who had moved to town to become the city attorney a few years earlier and was introduced briefly in Book 5.  We're on to Book 6 with the brother (Hero6) of Heroine5.  Confused?  I am.  Heroine6 had appeared briefly in several of the books, so now she had her own story.  Several tries later, a new set of old characters never mentioned before, stepped forward for the telling of their stories.  Hero7 and Hero8 were brothers (1st connection-family), and another duo of old stories begun, but never told.  The location of their setting was moved within the state, so they could now friends with earlier heroes and heroines (2nd connection-town), they fit well in Desperation.  Heroine7 and Heroine8 were both new characters.

I'll be the first to admit that sometimes it took some thinking and brainstorming to keep the series going.  But I'll also admit that it was fun.  Books 1 and 2 led to books 3 and 4, which led to 5 and 6, and now 7 and 8-- with a bit of new, yet staying with the town, family and friends...and even occupations as ranchers, it worked.

Why did it work?

REVISITING FORMER CHARACTERS

One of the things I enjoy reading the most in a series or connected stories is learning what's been going on with former main characters or simply seeing the mention of former minor characters.  Having those minor characters or even briefly introduced characters take on a major role is just as good, if not better.  That's also why I've enjoyed writing a series.  People grow, their families grow, and so should fictional characters, whenever possible.  Stephen King, even when not writing a "series," will mention a place or name from previous novels.  It always brings a smile to my face.


PERK SUMMARY AND THE BIGGEST PERK

Readers Love Series

With the Desperation series (Hearts of Desperation, if you like), the connections are many.  Theme is much the same as Harlequin American Romance.  Home and Family.  Setting?  A small town.  Characters are connected in many ways, including friends, family, and occupations.  One grows out of the first and so on.  But first and foremost, I'm a reader.  I enjoy seeing "old friends" in a series, meeting new ones, and knowing that in a series I will have my favorites, whether reading OR writing.  That's the biggest perk of all.

As a writer, are you a reader?  Do you enjoy reading books in a series?  If you do, why aren't you writing one?  Yes, it takes work, and sometimes it might seem that there's nothing more to tell.  But in fiction, as in life, there's always more.  Give it a try.  The first book lays the groundwork, the second and subsequent books build the series.  Just remember to have fun!

I'll be a guest blogger at Tote Bags 'n' Blogs on Monday, June 24th.  I'll be delving into the setting of small towns, so stop in and say HI.  There may be some free books available for lucky visitors, too!

The greatest gift is a passion for reading. It is cheap, it consoles, it distracts, it excites, it gives you knowledge of the world and experience of a wide kind. It is a moral illumination. – Elizabeth Hardwick

Hearts of Desperation Main Characters and their Connections 
THE RODEO RIDER, Book 1 - Tanner O'Brien and Jules Vandeveer
 BACHELOR DAD, Book 2 - Dusty McPherson (friend of Tanner) and Kate Clayborne
 THE LAWMAN'S LITTLE SURPRISE, Book 3 - Morgan Rule (town sheriff) and Trish Clayborne (Kate's sister)
 THE RELUCTANT WRANGLER, Book 4 - Mac MacGregor and Nikki Johannson (Tanner's sister)
 THE MAVERICK'S REWARD, Book 5 - Tucker O'Brien (Tanner's brother) and Paige Miles (new doctor in town)
 BACHELOR DAD, Book 6 - Garrett Miles (Paige's brother and city attorney) and Libby Carter (works in the  local tavern, where Kate Clayborne McPherson provides her famous barbecued beef sandwiches)
 A NANNY FOR THE COWBOY - Luke Walker (friend to many in and around Desperation) and Hayley Brooks
 DESIGNS ON THE COWBOY - Dylan Walker (Luke's brother) and Glory Andrews

Make Your Characters Real

 THE CREATIVE PROCESS

It's easy to fall into the trap of not fully "fleshing out" our characters.  Even with strong GMCs, our characters can still be flat and uninteresting.  And boring characters will have readers closing the book.

What does "fleshing out" mean?

Fleshing out means to expand or become more substantial.  For writers it means making characters more human.  There's nothing worse than a perfect person...or a perfect character.  And that's as if there really was a perfect person.  We do try, but we're human...and that's what the characters in our stories should be.

Each character must have, well, character.  After all, that's why they're called characters. ;)  Character is made up of different things.  Because no one (especially our characters!) is perfect, there are both positive and negative traits within our personalities, just as we have strengths and weaknesses.

• Human Traits
• Strengths
• Weaknesses

When thinking of main characters in a romance (hero and heroine), having different and sometime opposing traits, strengths and weaknesses, is ideal.  Here's a short list for some ideas:

Disciplined/Free Spirit
Homebody/Nomad
Driven & Determined/Lives for the Moment
Cheerful/Angry
Courageous/Fearful
Rigid/Adaptable

Don't shy away from putting them at odds from the very beginning.  Do be sure each trait is motivated (think backstory of character).  What has happened to the character in the past?  Or is happening now that will keep them apart?  (Remember that Push/Pull thing.)  For some reason, these characters should not come together and have a happily ever after.  Read the back covers of your favorite books for ideas, but mix them up, don't steal. ;)  It doesn't matter if the hero and heroine have a past together or not.  Don't always stay in the safe zone.  Mix it up.  The only thing to keep in mind is that motivation.

Give your characters weaknesses.  That's what makes them interesting and real.  Fear works well as a conflict.  It builds conflict.  Connect that fear to the the character's backstory and well-motivated goal that are counter to the other character's, and you're building the conflict between them.

Make them human.  Give your characters a personal habit or small mannerism that sets him/her apart.  I recently turned in a book with a hero who answers "Right," instead of "Yes" or "Okay."  I didn't intend it to happen, but that was a part of him.  Does the heroine cross her legs and nervously wave one foot when seated?  Does she slap her hands on her hips and jut out her chin when angry?  Be a people-watcher for mannerisms to use.

Make them different, even when it's different from the "real" them.
I'm a huge Susan Elizabeth Phillips fan.  Her books are funny and wildly emotional.  I have three that are my favorites.  The first is IT HAD TO BE YOU (Chicago Stars Series).  The heroine, Phoebe Sommerville, is my all-time favorite heroine, so when I had the good fortune to attend a writers' workshop given by SEP, I was thrilled when she talked about building characters using Phoebe as a example.  If you haven't read IT HAD TO BE YOU, Phoebe is a buxom, curvaceous woman and always dresses to show it off, who happens to wear pristine, white underclothing.  Nope, no thongs or bikini undies for her.  She uses her seemingly sexual appearance (through clothing, swiveling hips and pouty lips) as a shield to hide the real her.  There are reasons, meaning she is well-motivated.  What I remember most of that workshop was SEP sharing that she started with a very private heroine, who wore white, common-sense undies and bras.  That was the skeleton of the character.  As SEP built the rest of the character from the inside out,  Phoebe became a "sexpot" on the outside.  People saw one type of woman, but inside there was an insecure girl.  So even within one character, there was conflict, and that's what it's all about. Of course there's always Push/Pull within a character.  It's the I want but I can't have conundrum.  Let's face it, we all have a secret self.

The above is a reminder that our characters should reveal their true selves to the reader, long before revealing it to the other character.  Do it slow and easy.  Don't dump it immediately.  And when you do bring it out, little by little, show it, don't tell it.

Make your characters three-dimensional by using:

• Internal thoughts
• Emotions
• Actions

While your character may say and act one way, what that character is thinking (internal thoughts) and feeling may be quite the opposite.  Be certain you don't forget that or leave it out.  A character may be hard and unforgiving, but when it's shown that it isn't so by using internal thoughts along with clear motivation, that character has dimension.  As for actions, we all know the old saying that actions speak louder than words. Tears welling in the eyes, tone of voice, teeth or hand clenching, and more can be felt by the character and seen by the other.

Make them unforgettable.

When readers close your book at the end, you want them to feel an emotion.  A good emotion.  A smile, a happy sigh or even a tear will endear a reader to your characters and your book.  Make those characters touch the heart by becoming "real."

“I will go to my grave in a state of abject endless fascination that we all have the capacity to become emotionally involved with a personality that doesn't exist.” 

― Berkeley Breathed

Building the Story: Characters

THE CREATIVE PROCESS

As I work on making changes on a proposal, I'm given pause to think about how important characters are to the plot of a book.  It's characters and our love of them that make a great story.  And, yes, even a mountain or a whale can become characters that change another character.

In romance, our characters are sometimes both two protagonists, while also being the antagonists.  If the two solve their differences--of which there should be one tough one and other smaller ones--and the conflict is resolved too early, the story dies.  While it's nice to see two people get together, it's even better when there are problems to deal with and eventually solve to get to that happily ever after.

I'll freely admit that I'm constantly learning, and I appreciate that I have an editor who is willing to teach me, in a asking-the-right-questions way.  I truly appreciate that she makes me dig deeper to build better characters, GMC and, in the end, stories.  If that means reworking a project, so be it.  One more lesson learned by redoing.

Making mistakes (by not fleshing out the character and their emotional conflict, as was my recent case) does teach us, if we let them.  Throwing up our hands and giving up is the stuff of people who refuse to try, to learn, and to redo, if necessary.  And we all make mistakes, whether in our writing or our lives.  It's making the most of them--learning from them--that makes us better writers and people.

So how do characters help build our story?  Much of it comes back to good, ol' GMC, but if the Conflict isn't strong enough, the story is weakened.  That's what I was facing last week.  Yes, there was conflict between my H/H, but as my editor pointed out, it wasn't strong enough.  It needed to be something other than their conflict in the past.  It could stem from the past, but it had to be an emotional NOW not THEN.

Once I gave some thought to what she said--and added the brainstorming genius of a writer friend (Thanks, Kristi! And Kathie for the ranching info!)--I was on the road to a better, more emotional story.  The basis was there, but the push-pull of the romance and the conflict needed to be pumped up.

The characters themselves was the answer, and it had been there from the beginning.  I just hadn't dug deep enough to reach it.  Once it was pointed out to me that the two characters were a lot alike, that their biggest strength was also their greatest weakness, that push-pull emerged.  Two people, who had always insisted on having complete control of their lives and everything involved, would always be at odds, often about nearly everything.  Add in the past they shared that had often found them not only at loggerheads, but as adversaries, in spite of their secret attraction to each other, and that conflict is going to grow larger when they meet again.  Not to mention that night, fifteen years ago...

Just what is push-pull and how does a writer use it?  Take two people who might not normally be even friends, much less lovers, throw them into something that will push them together and make them grow.  But don't forget to throw in something that will pull them apart, not once, but several times.  Think turning points.  Yes, those things that change the course of the characters and/or their journey to their goal, and sometimes even their goal.  Keep their motivation in mind, too, since it's the reason for those goals.

Turning points can be both negative and positive.  Growing closer is a positive (push), whether it's a first kiss or a realization or acknowledgement of love that brings them emotionally closer.  But it's those negative ones (pull)--the overheard conversation, the words or actions of one, the knowledge of something previously unknown and not particularly welcome--that keep the story rolling and the reader reading.  When it comes to characters, bring them up, then smack them down.  Torture them, but don't forget to reward them.

Digging deeper isn't always easy, but it's well worth the time and effort.  In the end, it will make for a better, emotional book.

Shameless Promotion
The story that spawned this blog post is still in the submission stage, but it's the story of the sister of two brothers who are the heroes in two books coming out this year.  This new sister/heroine does make an appearance in both, so it's become close to my heart.  Only time will tell if Erin's story will hit the stands. Until then, I hope you'll give her brothers' books a read.

Especially for fans of cowboy heroes...singing ones...

Don't miss Kristi Gold's THE CLOSER YOU GET, available NOW!

A little more persistence, a little more effort, and what seemed hopeless failure may turn to glorious success. ~ Elbert Hubbard 

Refilling the Well

WRITING WEDNESDAYS

Whether we write or have a day job or are busy raising a family, we all need to take step back once in a while and give ourselves the gift of doing nothing.

Before going any further with this, let me state that "doing nothing" isn't necessarily what it sounds like.  There's a whole range of possibilities and each of us should take the time, now and then, to explore some of them.

For the past six months, I feel like I've been going non-stop.  That could be because I have, in a way.  The grandkids, who had been staying at home with their dad who'd lost his job several months before, returned only two weeks after I'd set deadlines for two new books.  I'd become accustomed to not having them around, except to pick them up from school and take them to their home.  I'd forgotten how crazy life can be with them around.  My schedule and goals took a beating, and it's been crazy, but somehow I've managed to stay on course...or close, anyway.

The time of meeting deadlines will ease soon.  I'm wrapping up the last of what's needed on A NANNY FOR THE COWBOY, out in March next year, and hope to have the last chapter of DESIGNS ON THE COWBOY, June 2013, written well before the upcoming holiday weekend is over.  That will ease the pressure, and we all know how important that is.

While I admire those who are like the Energizer Bunny and never seem to run out of steam, I have a deep, dark suspicion that what we see isn't what's really happening. Why?  Because everyone needs some time to refill the well.

I'd never heard that term before, until I heard Kathie DeNosky use it back in the late 90's, when we were both struggling to sell our first books.  Kathie had been at the writing game a few years longer than I had, so she became my guide in everything writing related.  She taught me about the need to stop the insanity and refill the well that empties without us noticing when we have our nose to the grindstone.  (How's that for mixed metaphors?)  I do have to say that she didn't have to explain what "refilling the well" meant.  I got the meaning immediately.  It was the "how" that had me stumped.

Reading has always been an integral part of my life, but once I began writing, the reading time began to shrink, little by little.  Now just reading a handful of books a year is difficult.  There are those deadlines and all the other things in life that need attending to.  I envy writers who have the time to read the work of others, while moving forward with their own writing career.  I wish I could do the same.

Because I can't pick up a book every week or two and devote time to immersing myself in the worlds of other writers, I have to remind myself that it's important to take a break, no matter how short, and do some reading.  Time for that break is coming up very soon.  By next week at this time, I hope I'm in the midst of it and enjoying it.  It's time to refill the well.

As that special time grows closer, I've been thinking more about it lately, and I realize that there are other things to enjoy, in addition to reading.  So here's a list I've come up with to try, just for me.

10 Things to Do to Refill the Well

• Find a quiet spot to think or just "be"
• Spend time with friends, both writing and non-writing, especially ones I don't see often
• Sleep or take a nap without interruption
• Go outside and watch the clouds drift by
• Find a place away from the street lights--away from the city--to once again enjoy the beauty of the night sky
• Take a leisurely walk in the park, not for exercise or any reason other than the sheer joy of it
• Go to the park and swing
• Sit by the water and listen to the sounds it makes
• Find a new and unusual shop and explore
• Watch favorite movies for a full day

That's my list. What's yours?

The ultimate in refilling my well:

Well it's not far back to sanity, at least it's not for me
And if the wind is right you can sail away and find serenity
Oh, the canvas can do miracles, just you wait and see.
Believe me. ~ Christopher Cross, "Sailing" Lyrics

The Power of Turning Points

WRITING WEDNESDAYS

Recently I blogged about how to cure sagging middles (the writing kind!) by using main turning points.  From experience, I know that the words "turning points" can strike fear in the heart of many writers.  I've been there.  I overcame the fear.  And I'm going to share how anyone can, too.

The first thing to learning how to use a turning point is to understand what it is.  Simply put, a turning point is a place/point in a story (often an event) where the plot takes a new (sometimes unexpected) direction.  

Besides the main turning point that usually occurs in the middle of the story, there are others, and they are just as important in keeping the story moving along and interesting to the reader as the main turning point is.

Back in July, I blogged about Growing the Story.  That blog post included the 8 Plot Points of a story and the storyboard I use to keep me on track during pre-writing (plotting or just thinking ahead) and writing.  Let's take another look.

1. Opening
2. Inciting Incident
3. Turning Points (1 or 2)
4. Main Turning Point
5. Black Moment
6. Sacrifice
7. Resolution
8. HEA

In a romance, a turning point will be something that happens (external) that brings about a new emotional (internal) direction.  Sometimes it's something that will push the hero and heroine together, when one or neither wants it to happen.

FAMILY BY DESIGN

Christmas is looking bleak for Becca Tyler and her three young children. Money is tight for this single mom, and the house where they live has been sold to a new owner, meaning they must move. Throw in an encounter with the guy Becca heartlessly dumped in high school, and not only Christmas but life seems to be handing out lemons.

First Turning Point
 Nick, the new owner and the guy Becca dumped in high school, learns he's the cause of her predicament and offers her a job.

Why?  Nick's secretary quits, and although Nick might be able to ignore that Becca may not have a home to live in, her three children make the difference.  They'll be working together on a daily basis, not exactly what a man wants to do with the woman who spurned him in the past.


THE MAVERICK'S REWARD

It's been almost twenty years since Tucker O'Brien left the Rocking O Ranch at the age of fifteen, and the only reason he's returned, physically and emotionally scarred, is to get to know the son he never knew he had. But once Shawn graduates from high school, Tucker plans to leave...until he meets Paige Miles, Desperation's new doctor, who forces him to take an honest look at himself and makes him want to risk becoming the man he's always wanted to be.

First Turning Point
Tucker relents and tells Paige he'll do Physical Therapy, but only if she's his therapist.

Why?  Tucker recognizes that he doesn't have a choice about doing the PT, and there's no one close who can oversee it but Paige. They may be seeing each other often because of it, but he's sure she's as much against getting involved in any other way than she is.


Two of the best places to watch for turning points are TV shows and movies.  I can almost set my watch to Criminal Minds.  The main turning point--where information learned makes a big change in who the unsub (unknown subject) might be, and they're off in a new direction of finding him--comes at the half hour, just before the commercial.  There's another turning point near the 3/4 of an hour mark, when they know who the unsub is and they go after him.  They were in a rut during last season when quite often this TP is a rush to a house with their guns drawn and vests on, only to find that the house is empty.  A good reminder to vary your turning points!  Author Elizabeth Sinclair loves the movie The American President and uses it to help teach plotting.  One of these days, I'm going to watch it! ☺

Whether you use television, movies or books, try to watch for those moments when something happens that changes the direction of the story or even changes the way a character sees things in a different way (an AHA! moment).

Using turning points throughout your story will strengthen it, earn the attention of editors, and cause readers to never want to put down the book.

Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way. - E. L. Doctorow