Begin Your Dream, Then Finish It

WRITING WEDNESDAY
Millions of people dream of writing a book.  In fact, it's said that in the U.S. alone, 200 million people want to write a book.  Only a small percentage actually do.

Maybe you're one of that small percentage who has actually sat down at a keyboard or held a notebook and pen/pencil in hand and started writing.  If so, I salute you!  It's the first step of making your dream come true.

But there's more to it than that first step of beginning.  The hardest part is to finish writing that story.

An idea springs to mind, and we start writing.  Before long, we lose interest, we hit a wall, we start to lose interest in our characters or story.  Or all of those things!  And then we quit.  We shove the story aside and wait for inspiration on a new story.

A few false starts aren't bad.  Nothing but starts isn't good.  How will you know if you're able to write a complete book, if you stop a few chapters into writing it?   Some authors do well with 80,000 to 120,000 word books.  Others aren't comfortable writing anything more than 50K to 75K   Some writers panic at the thought of anything over 30,000 words, while others enjoy writing short stories.  What do you feel is your comfort zone?

I'm here today to tell you that tossing it aside isn't always the best thing to do.  In fact, if you're a new writer, it's one of the worst things you can do.  I have everything I've ever written saved, either in hard copy or on computer (disk or whatever).  I became serious about writing with the hope of someday have my books published in 1996.  Because my focus then--and still is--romance, I joined Romance Writers of America (RWA) and went to my first National RWA Conference in July that year.  Kathie DeNosky and I had met briefly online, and we met in person at that conference.  Within very little time, we became friends with two other aspiring authors, Janet Lee Barton and Belinda Barnes.  The four of us eventually formed our own, small critique group.  It was Kathie who pushed me into entering writing contests.  My first entry, Contract for Love, placed Honorable Mention in the Love in Uniform Contest in 1996.

I entered more contests, each time with a finished manuscript.  After placing or winning in six more contests with three other finished manuscripts, I hit the jackpot in 1999's Georgia Romance Writers Maggie Award for Excellence and won first place with the first 30 pages of the book in the Unpublished Short Contemporary Category.  When the final judge, Silhouette Editor Mary-Theresa Hussey, asked to see the full manuscript of The Rancher and the Runaway Mom, it was written.  In April of 2000, I got The Call that Silhouette Romance wanted to buy my book.  (A short P.S. on this.  Every other book I'd entered in contests had been completely finished when I entered, except this one.  I was short less than two chapters when I sent in the entry, and I finished it, long before the finalists were announced.)

By the time I SOLD what later became Rachel's Rescuer, I'd written nine previous books.  Of the ten, including my first sale, half of them have been published.  Those other five?  I still have them, and plan someday to rewrite, revise, and polish.  The stories aren't bad, but they need work, and I've learned SO MUCH in the years since I first wrote them.  Cowboy Over a Barrel (original title) and published as A Saddle Made for Two, was my second Silhouette Romance.  The Cowboy and the Ice Princess (published as The Rodeo Rider, the first in what has become a 10-book series) was my second Harlequin American Romance.  Who knew they'd love cowboys as much as I love writing them?

If all that sounds like bragging, it isn't.  Admitting and patting yourself on the back or having others pat you on the back makes doing the hard work that much more special.  Kathie has by far surpassed me in the writing world.  She sold her first Silhouette (now Harlequin) Desire on my birthday in 1999.  Belinda sold in December of that same year.  Of the three of us, I came in third in April of 2000.  Jealousy never had a place in our friendships and never will.  Envy?  Yes, but along with that came admiration and Kathie kicking my backside to keep me going.  I have no room to brag.  Sharing the things I've learned (and will continue to learn) with others makes me hopeful that one smidgen of something I've shared might be the one thing needed to create an award winning book and author.

So now you know why tossing a beginning aside isn't a good thing, right?  But why?

• Each book started as an idea.  Ideas grow into completed books, if you stick with it.
• As a writer, each finished manuscript is a learning process.  You grow as a writer with each one.  If you're part of a critique group or enter contests, there will be people who are willing to help, to tell you your strong points and help with your weak points.
• If a book doesn't sell, it might be perfect later.  Publishing tastes change.  Those tastes could be right up your writing alley.   

Here are a few tips I've learned along the way.  Whether you're just beginning or have been writing for much longer, but feel you're getting stuck and going nowhere with your writing, these are a few things to keep in mind and give some thought.

1. READ!!  What type (genres and sub-genres) are your favorite reads?  Which of those do you feel you are best at writing?
2. Study and know your market.  Always keep in mind that what's selling now may or may not be hot in the future, but it's worth a try.  Yes, some writers make it big with something completely different, but it's rare.
3. Hone your skills.  This includes grammar, spelling, and all the mechanics of writing.  Editors (if traditionally published) will love you for this.  Readers (if you're self-publishing) will, too!  There's not much worse than trying to read a good story, while bad writing keeps pulling you out of it.
4. Learn to plot.  It doesn't have to be scene by scene, chapter by chapter, but have a solid idea of how and where the story begins, turning points, hooks, black moments and resolutions (aka Happily Ever Afters).  If you don't understand those terms, check out some of my older blog posts and especially check out the blogs, books, and advice of other authors!
5. Your non-writing friends and family can be a part of your pep club, but they will always love your writing, no matter what.  Get outside that circle t learn.  Join a writing group, a critique group, or enter contests.
6. Keep learning.  Always.  Nothing is better than knowledge, not even talent.  Without knowledge, even the most talented will struggle.
7. Don't give up!!  I was lucky enough to find writing friends who wouldn't let me do that.  Throwing in the towel was something I often considered, but they kept me from doing it.  My mantra became, If you quit now, the next book probably would have the THE ONE. Who wants to tempt fate that much?
8. Enjoy writing, but also enjoy life, yourself, your family and friends.
9. WRITE!!  Each time you sit down to write, whether it's been an hour, a day, a week or months, you'll learn knew things.  If something isn't working, try thinking about it from a different direction.
10. FINISH THE BOOK!!  Because an unfinished book will languish.  Until you finish writing that first book, you'll never know the wild exhilaration of writing THE END.

One more special hint and the reason I'm blogging about this.  Write on, don't edit.  I hear a lot of "But...but..." out there, so here are two great links I found today, which led me to write this blog post.

• Lessons from Oleander–The Dangers of Premature Editing, one of Kristen Lamb's blog posts, this one from yesterday (March 25, 2014).  Short, sweet and to the point.
• 5 Tips for Writing Quickly and Effectively from workawesome.com

Read them.  Think about them.  Ask yourself if you're brave.  Maybe next week we'll look a little closer at what these two blogs/articles have to say.  Why?  Because it's important.  Write on!

Never give up; for even rivers someday wash dams away. ~ Arthur Golden

SMART Goals 2

For anyone who stopped by here to take a look on Friday, you're doing better than I am.  It's 11:20 p.m. my time, and I'm finally getting to this.  Between a grandson who was sick and didn't make it to school, but needed to be watched over, to far too many website updates and Facebook Page creating, to a daughter who asked if I'd pick up her daughter after school, to another daughter who had to attend a funeral, the day didn't work out as expected.  And I'm 3 days behind on my daily goals. *sigh*

But I'm here, and I'll share what I know about setting smart goals.  I still have a lot to learn.  Obviously.

Last week we looked into the Who, What, When, Why, How of setting goals.  Today we're going  to double up with the M and the A in SMART.  And both use two words each.

MEASURABLE

As it asks in the graphic above, How will you know when you're done?  A relative question, since a goal without end isn't a real goal.

A goal is something to work toward.  With writers, that goal can be a number of things.  The most popular are page goals and word count goals.  A goal might be to write a book, but that can often be more easily measured by the number of pages or number of words you'll need to write.  My books run between 58,000 words to 60,000 words.  Someone else's might be double that.  A novella might be a little more than half that.

The writers group I belong to offers two different chances to work toward goals.  One is short term, the other much longer.

Our short-term group is what's called BIAW or Book In A Week.  No, we don't expect to write a book in a week, but it doesn't give us incentive to write.  Although it's supposed to be a week, we extend it an extra day, so our week is actually 8 days.  (Hat tip to the Beatles.)  We do it twice a month, every month, beginning on the first Sunday through the second Sunday, then turn around and do it again on the third Sunday through the fourth.  Before it begins, those who want to participate declare by email how many pages we've set as our goal for the week.  My goal, beginning this coming Sunday, is 50 pages.  I know I can do it, but I'll have to work hard to reach it.

The second group is our yearly Word Count Challenge.  This is our third year.  In January, we declare our goal of words written during the year, and at the end of each month, we announce our monthly word total.  A spread sheet is used to keep track of each member's Goal, and both monthly and accumulated total.  The first year we tended to overreach.  Our group's yearly total goal for 2013 was 910,000 words.  The fifteen of us wrote 838,960.  We reached 92% of our goal, 1% better than the year before.  This year our group goal, a combination of all individual goals, is 1,340,001.  (That 1 is a race between two members, both published.)  Will we make it?  We'll try!

Here are a few questions to ask yourself when setting your goal.

• Is your goal is measurable?  Without knowing the specifics, you'll be at loose ends and may not reach your goal or struggle with reaching it.  Maybe you aren't a writer, and your goal is to lose 20 pounds in a year.  Or whatever reasonable and reachable goal of pounds might be.  A yearly goal makes it easy to measure.  Or you want to be more fit.  Walking, running, exercise all need goals, too.
• Can your goal be broken down into smaller goals?  Easy with a yearly goal.  There are twelve months in a year.  If I'm writing a 12 chapter book at approximately 60,000 words, I'll have to write 1 chapter per month/5,000 words.  You can break that down to the number of scenes or number of words.  Decide how much time you have for writing, and you'll know how many words or pages you'll need to write each day.  And you don't have to write every day.
• Are there other priorities that come before writing?  If you're a mother with small children or a working woman, or a working woman with children, huge chunks of writing time are hard to find. (Men also have priorities, the same as women.) Some people get up an hour earlier in the morning, some stay up an hour or two later.  Some people write during their lunchtime.  Some write during baby/child's naptime.  When is your best time?
• Will it be possible to work on your goals during holidays and/or vacations?  My daughters are grown, but holidays still roll around each year.  I've written during Thanksgiving, Christmas, New Year's, summers full of grandchildren, and helping other family members with their own goals and schedules.  I do get more done on weekends, but for some people, this isn't always the best time to hole away.  Be sure to factor in the things you know in advance that will take time away from your goal.  Work around those time.  It may take a little less sleep, less television or movies, or something else, but it comes down to priorities.  Family is always first priority.
• What happens if sickness intrudes and messes up the goals?  It happens to the healthiest of us.  If it does, and you fall behind on your short-term goals, don't beat yourself up.  When you feel up to it, work a little on your goal, but don't wear yourself out and end up being sick longer.  That's counter-productive.  If you have to make up some time on your goal, do it in small stages.  An extra page here and there will soon have you back on your goal schedule.  The same goes for most everything else.  But don't give up food if you're dieting!!

Give yourself enough time to set reasonable goals.  Rushing into it without giving thought to your lifestyle, demands of others, and the inevitable things that intrude, will only cause you to give up.  That's not what working toward!  When that book, or diet, or exercise routine or whatever your goal is all about is reached, you're done!  And then you can turn around and do it again. ☺

Now for the second M.

MOTIVATIONAL

Is your goal emotionally charged?  Are you motivated enough to spend the time needed to reach your goal? 

1. Do you want to reach this goal bad enough to give up something else you love, once in a while?  Yes, that hot fudge sundae is calling you to take a spin to Sonic, but think of that weight-loss goal.
2. Do you have the energy to carry out the goal?  Training for a race can be grueling.  Staying up late or getting up early to do whatever it's going to take to reach that goal must be done in moderation that will keep you going, not lead you to giving up.  Goals can be adjusted.  Missed goal-working time can be made up.  But if you find you're not getting enough rest, and you're falling asleep at work or during your favorite TV show or your son's soccer game or daughter's dance recital, it's time to adjust the goal-work that's causing it.

Last but not least, we're to the two As.  All of the letters in SMART are needed for setting your goals.  Don't skimp, don't skip.  Think it through.

ATTAINABLE

Is your goal realistic?  We took a look at this last week with Will it Work?  Let's face it.  Most of us aren't going to run in the Boston Marathon our first time out.  The majority of writers will not sell their first book.  We aren't going to be an Olympian in only a few short months.  Or probably in a year.  But there are a lot of things that can be done in a year.  If you can break down a yearly goal into small chunks and bites of time or practice or training or whatever, it should be attainable.  Your goal shouldn't take up every moment of your life, but it should be a priority.  If you feel it's taking too much time away from other things, adjust your goal to fit you and your life.

ACCOUNTABLE

We're all held accountable for nearly everything we do.  It starts when we're young.  Remember chores and chore charts when you were growing up?  Mom or Dad made up the list, and we were accountable for getting them done.  Now that we're grown up, we're still accountable...to our boss, or spouse, our friends, even our children.

Can your goal be tracked?  This is a big one.  When it comes to goals, falling back on those chore charts might not be such a bad thing.  There are hundred, if not thousands or millions of ways to track goals.  I use spreadsheets.  And calendars.  Right now, I know I have to write 1 scene a day.  Why a scene?  It has a beginning and an end.  My calendar tells me what I need to be working on, what my goal for the day will be.  My spreadsheets help me keep track of how many pages and words I've written in a day, a week, a month.  They tell me how far I've gone and how far I have to get to the end.  My editor isn't going to accept a 40,000 words book.  I'm going to need a lot more than that.  I'll admit that it can be exhilarating, the closer I get to reaching my goal.  Those last two chapters, those last few scenes, almost write themselves.  I want to reach that goal, and by tracking my progress, I know I can make it or at least how hard I'll have to work to reach it.

There are all kinds of tracking programs and spreadsheets on the Internet for anything you might imagine.  Use one of them or make your own, as I do.  The one thing you have to remember is to KEEP TRACK each day as you work on your goal.  Find the best way to be accountable.

If you have a friend or family member who you can count on to keep you accountable (Did you write today?  Did you walk that two miles?), it's a lot easier to stay on track.  And be sure it's a friend who wants to see you succeed, not one who will lure you away from your goals. :)  Buddy-up with a friend, if h/she is working on a similar goal.  Encouragement from others can go a long, long way.

And you thought setting goals would be easy?  Nothing is easy.  But the rewards are magnificent!

Next week we'll work on the Rs=Relevant and Responsible.  Yes, more thinking and planning.  Before you know it, you'll be setting goals for all kinds of things.  And reaching them!

It is not enough to take steps which may some day lead to a goal; each step must be itself a goal and a step likewise. ~ Johann Wolfgang von Goethe

Taming the Series Beast

There's a lot of information to keep track of while writing.  Characters (description, age, major life events, family, etc.) and settings (houses, towns/cities/countryside with names, buildings, even streets) and plot.  Oh, that plot! And that's a whole other animal.

When a story revolves around a character--or two when it's a romance--it's important to know as much about him and/or her as possible.  Characters, like the story itself, grow from the time we first have an inkling of the person we want to create to the end of the story.  Because all but a very few have more than one character, we have a lot of information to sort through, choose, and use.  And although those characters stay with us in our minds, it's easy to forget details, as time goes by.  There have been times when I haven't been able to remember a past character's name, so obviously there are far too many living in my head. ;)

After the first couple of books, I realized that there were so many things to remember and so many times when I had to search for a small detail that was important, even in a stand-alone book, that I needed to do something that would help.  I started looking for the best way to keep track.  It took some time, but I found it, and I still make small changes to my method when needed.

First let me say that I'm an organized disorganized person.  Or is that an unorganized organized person?  I've never figured that out.  Yes, my desk is often a mess.  I like having things near me so I know where they are and can grab them at a moment's notice.  The same is true for writing.  I need that basic information about characters and story close at hand, so I don't have to stop and hunt through pages and chapters for the name of a minor character or if it was morning or afternoon when an incident occurred.  With a series, it's needed even more.

So what has helped save my sanity and time?  3-ring notebooks.
One notebook for each book.  For a series, there's also one small notebook to hold master lists.


BOOK NOTEBOOK

Each individual notebook includes:
*indicates in plastic sheet protector

• *Photo of Hero & Heroine and child/children if applicable. 
• *Age chart of main characters that includes major life events, especially those that pertain to the story.  This includes a column for years (2013, 2012, 2011,etc.), beginning with the year in which the story is following through to birth of character.  (spreadsheet)  This makes it easy to check their ages for high school graduation, a move or job change, or any other major event.
• *Storyboard  Yes, I plot before I write.  (You can see a photo of my plotting boards and the printed storyboard here.)  Quite often I write the first three chapters to get to know the characters better, before I go on to plot the rest, although I usually know main turning points, the black moment and the resolution, before I start writing.
• *List of Characters  This includes any character appearing in the story, even the grocer, parents, siblings and anyone who doesn't appear but is mentioned.  It's much easier than looking back through written chapters.
• *Calendar  I use a blank calendar sheet template for each month in which the book take place.  Month, dates, years.  Then I add a snippet of each scene in the blank date when it happens. This helps me know what happened two weeks before, and I don't have to go back through the written chapters and scenes to find it when needed.
• Other photos I might need, including floor plans I find online, so I can move the characters around without forgetting the master bedroom is on the first, not the second floor.  I'm working on a story that includes a sailboat, so I have photos of that.  It's also nice to have photos of the area, either from doing a quick Google search or using the Earth option on Google maps.

After the above, I have tabbed dividers for each chapter, where I keep the most recent printed copies of the story.  As a rule, I do edits and revisions on hard copy, and this keeps everything in one place.  Any other notes or information are slipped into the pockets in front and back.

Because I'm paranoid, the above files are kept on my computer.  I can always pull up a file, if I haven't added it to the notebook.


SERIES NOTEBOOK

One, smaller (as in thinner) notebook holds master lists that cover all the books in the series.  These include:

• Age chart for all main characters in the series i.e heroes and heroines. No major events noted, except year of birth and ages up through the latest book. (spreadsheet)
• A companion age chart for the main characters, their children, some family members and, in the Desperation series, two other minor characters who appear in nearly every book. (spreadsheet)
• Complete character list that includes character name, role, and which books in which each appeared.  Yes, that can be a lot of names, especially if townspeople are included often in the stories.  At last count, there were 16 main characters and 140 minor characters.  7 minor characters have appeared in all 8 books in the Desperation series.
• General Timeline that includes book title, month and year of each book's setting, first name and age of main characters and their children.
• Yearly Calendar (created with MS Publisher) that includes dates of the beginning and end of each book and dates of babies born or added to main characters.  (helps keep the ages of children at my fingertips ;))  The Desperation series at present spans 6 years, from 2008 thru 2013.
• Character Name List, alphabetized, keeps me from using the same name twice, whether first name or last.  (MS Excel can sort and filter any way you choose.)

With a little thought, I manage to keep the series beast under control.  Please note that it isn't tamed.  Using my method keeps me from hunting for notes in odd places, such as in the cutlery drawer in the kitchen, or the unmentionable drawer in my bedroom.  Then there's the bathroom cubbyhole...  My notebook is portable, if needed, especially when writing longhand in the car while waiting on grandkids to explode from school.  It might take a little time to put together, but, hey, it's time well-spent!

Still, my way isn't THE way.  THE way is YOUR way.  To help you find it, here are a few links a writer friend posted on our writers group page.  Check them out, see what might suit, then pick and choose your favorites to create YOUR VERY OWN WAY.  Don't worry.  Nothing is set in stone and can be adjusted or thrown out.  To paraphrase Old Blue Eyes (Frank Sinatra, for you youngsters), do it your way.

• Love Inspired® author Debby Giusti shares her thoughts on The Continuity Challenge
• Some great tips from author Dame Jenna aka Jenna Black: Creating a "Series Bible"
• Author Angelique Armae shares Easy Tips for Creating a Book or Series Bible
• H.V. Long discusses How to Write the First Book of a Series
• Best-selling author Kate Douglas on Ending a Series  (Yes, they do have to end...sometime.)
• Author Misty Evans explains Series Business - Three Types of Series
• Paranormal author Mima explains that readers love series books and shares how to make it easier with her Tips for Building a Series

Now you have many different ways to tame your series.  But the fun is in writing the book(s), isn't it? ☺

Not convinced you're ready to write a series?  There are many reasons, but one of the main ones is that readers LOVE series!  I know I do. :)  We'll look at other reasons and delve deeper into why readers love them next week.  

P.S.  This blog was started around 10 a.m. on Thursday and is finally finished at 10 p.m..  Wow!  Have I learned a few things!

“Every secret of a writer’s soul, every experience of his life, every quality of his mind, is written large in his works.” — Virginia Woolf

Mapping Your Story

THE CREATIVE PROCESS

Last week was the pits.  Whatever the current respiratory flu is that's going around in my part of the country, it decided to visit me.  Last Wednesday and Thursday were spent sleeping most of the day away.  Friday was better---until I started to chill...and not in a good way.  My temperature hit 103.5.  I couldn't get warm.  Some ibuprofen, OTC cough medicine, and echinacea (my go-to whenever I feel something coming on) finally did the trick after three hours of shivering in bed.  I spent the weekend being a slug, and finally felt about 75% human by Tuesday.  I'm still tired, still would like to crawl between the covers, but I might begin to like that.  Now it's back to the business of writing and the creative process we go through with each story.

The word "plotting" strikes fear in the heart of many writers.  It did me for many years.  For some of those writers, not plotting can lead to stalling or writing in fits and starts or, even worse, coming to a complete stop with a story that is never finished. Or many stories that are never finished.

But plotting doesn't have to be the terror that many believe it is.  Plotting doesn't mean knowing every little detail of every scene.  It's basically nothing more than a road map of where your characters and their story are going.  Each writer has the option of how detailed that road map will be.

One caution:  Trying to plot before knowing your characters can lead to insanity.

Back in the olden days when I first decided to try my hand at crafting a story, I never plotted.  That's right, I said never.  There were a couple of reasons for that, the first being that I feared it would spoil the journey for me, and I'd lose interest.  I've learned since then that the more I know about my story, the easier the journey is.  I'm able to enjoy the process, instead of wasting time wondering what to do with my characters next.  The second reason had a lot to do with not having a clue HOW to plot.  And this is the first time I've ever admitted that. ☺

There are as many ways to plot as there are people who do it.  My fellow authors and good friends, Kristi Gold and Kathie DeNosky, both plot in their own, special way.  My way isn't their way, anymore than each of their ways is mine, but there are aspects we all share.

Kristi isn't a put-it-on-paper plotter, but once she starts going, it's solidly in her mind.  She knows what's going to happen, although only certain things seem to be detailed to her.  Still, her plotting has led to book #32 (THE CLOSER YOU GET, Harlequin Superromance, February 2013) hitting shelves in a matter of days.  She's obviously doing something right!

Kathie long ago shared her plotting method with me, and she also shares it on her website for others.  She taught me that each scene needs its own GMC, just as the characters do at the beginning of the story.  To keep her on track and able to have written over 30 books, with her newest, IN THE RANCHER'S ARMS, Harlequin Desire, coming out in April 2013.

While I can't take a photo of Kristi's brain, complete with plots and characters, I can share Kathie's index card method.

A closer view of  two cards used for one scene.

See More

Kathie based her scene card method on Jack M. Bickham's SCENE AND STRUCTURE, but added her own little twist.  She shared it with me, and although I no longer use the actual cards in the same way, it's (luckily!) stuck in my head.  Plus, I always know that I can go back to it, if the need arises.

~  ~  ~  ~  

Next week I'll go into more detail about beginning the plotting process, but for now, check out Kathie's scene cards and Kristi's upcoming book!  Oh, yes, and in March, the 7th Hearts of Desperation series book will hit shelves!

Don't fear failure so much that you refuse to try new things. The saddest summary of a life contains three descriptions: could have, might have, and should have. ~ Louis E. Boone 

Goals are Set. Now What?

MOTIVATION MONDAYS

Today marks the official last day of the first week of the new year.  Our goals should be made.  In theory, we should be moving forward on them.

Reaching our goal is like climbing a staircase.  We start at the bottom by deciding what it is we want to accomplish, then step by step, we move toward it.  That takes motivation.  The key is knowing what each step involves so we can more easily get to the top aka Our Goal.  That's where a little planning comes in.  My goals won't be the same as another's, but there are a few steps that we all can take to make the trip easier.

As it was last year, my goal this year is a specific word count.  Because of that, I have a good idea of what I can do in that amount of time.  I set last year's goal at 120,000 words.  I included both blogging and book word count and ended up nearly doubling my goal. This year I'm sticking totally with main writing word count, which I've increased to just over last year's total.  A quick look on the right will show that I haven't made any progress yet.

Why no progress?  For nearly two weeks before Christmas and after New Year's Day, there have been five grandkids, ages 3-11, here from morning until evening.  By the time they leave, I do well to know my name.  Now that they're back in school, I can relax and work some during the day.  (3-year-old will still be here during the day.)  What I realized last night is that I've been waffling, not knowing for sure what I specifically want to work on this year.  I gave it some thought yesterday and last night, and I now have a clear idea of what I'm going to do.  Of course it can change, but I can look up that long stairway and see the top.  I know how to work my goal.

Stuck with no idea of where to start?  If you're working on a specific book/manuscript or more than one, it doesn't matter whether you've set your goal to write to the finish or if you'll use page count or word count as your goal.  By now you should have broken that big goal into smaller ones.  You should also know what you want to work on.  That puts you one step up.  Forward motion!  What's left is each of the rest of the steps aka mini-goals.  It's like losing weight.  We do it day by day, pound by pound, whether dieting or exercising or both.  Writing goals work the same way.

There are a few things that can help make the journey easier.

1. Know what kind of story you'll be writing.  Whether it's romance, suspense, paranormal, inspirational or other, have an idea of 
2. Know your characters.  Not just their names, but who they are, what they do, and especially where they came from.  This is where GMC comes in.  This doesn't have to be done in a day, and quite often when the writing is moving along, we often discover things about characters that we didn't know when we wrote the first words or even chapters.  Or even more often, we've had these characters in our mind for some time, growing little by little.
3. Know where your story is going.  This doesn't mean your book must be completely plotted or even a little plotting, but if you know where it needs to start, what the main turning point will be, and some kind of an idea of how it will end, you can go from point to point more quickly and smoothly, without a major panic attack.
4. Know when your best writing time is and write on a regular schedule.  I'm guilty of not doing this as much as I should, so it's something I need to work on.  Remember, the more often you write, the easier it becomes.  You might even get lucky and make it a habit.  If you know on Monday that you're going to be writing the second scene of chapter four on Wednesday, you can be thinking about how that scene will play out.
5. Know in your heart that if you get behind on your mini-goals, you can still make progress and quite possibly still make your goal.  You missed a day writing on your 3-page-a-day goal?  Write one extra page for each of the next 3 days, and you're back on track.  Or give up an evening of television to make some progress.  Your goal isn't over until the time is up.

If you've found some ways to keep yourself motivated through the year-long goal, share them!  We learn not only from what we do, but from others do, too.  

Let's make 2013 the year we meet and maybe even exceed our goals.  I'm willing to try.  How about you?

Everyone has inside himself a piece of good news! The good news is that you really don’t know how great you can be, how much you can love, what you can accomplish, and what your potential is! - Anne Frank

Bring on the Tissues

MOTIVATION MONDAYS

If only the tissues were needed for a sad movie.  No, it doesn't work that way.

I woke up yesterday morning with a sore throat.   With no nose tickle warning of a cold coming on, but knowing I had a busy day ahead, I took my usual ward-off-a-cold meds.  Quite often I can nip a cold in the bud on the first day.  Not this time.  Today isn't any better---I woke up coughing---so I decided to take it easy.  The only problem is, there are things that need to be done.  Goals for the day need to be reached.  Motivation to do that needs to kick in.  That isn't happening.  I hate being sick.

It takes being motivated to choose a goal.  On the other hand, there needs to be a goal to be motivated to reach.  Seems to be something of a conundrum.  We're in an endless circle.  Without one, the other doesn't work.

A person needs a goal to be motivated to move/work toward a goal.

We start with an idea or a need that we hope leads to an idea.  Once we have one or the other, the next step is setting the goal.

I have the goal.

It wasn't all that difficult.  After reaching the goal of finishing the eighth book set in Desperation, OK, a few weeks ago, I gave myself a few days off.  That didn't last long, since I already knew that I needed to move on to the next two books, so that became my next goal.

GOAL=2-book proposal

I have the motivation.

I was eager to start on the story of the sister of the two previous heroes, so the motivation is there.  In fact, in this case, the motivation came before the goal and spurred me on to finish Dylan's story.  It doesn't always work that way.

MOTIVATION=Writing Erin's story, plus I'll need another that is yet undecided

Breaking the goal down into smaller goals.  

For a 2-book proposal, I need the first three chapters and a full synopsis (approximately 7-8 pages for me) of the first story and a short (two page or so) synopsis on the second story idea.

• First three chapters  

For a full synopsis, I have to have an idea of where the story is going after that third chapter, so, for me, I have to plot the story.  Those three chapters were finished almost a week ago, and I finished plotting on Saturday.

• Plot story

Once I have the story plotted, I can write the synopsis.  It's never easy, but with a road map to follow, it isn't as hard as it could be.  (And this is why I learned to plot!)

• Write synopsis

Now that the proposal for the first book is in the process of being written, the idea of the second book can be "cooking" in my subconscious.  I don't necessarily need as much information or plot for this one, but I do need to know the characters well, their GMCs, the main points of the story (opening, turning points, black moment and resolution).  The rest of the story will eventually fall into place while the first is being written.  It's amazing how ideas come along when focusing on something else. 

• Make notes on second book for short synopsis
• Write second synopsis

It may sound easy.  Of course it isn't, but when once it starts, it can often gain momentum.  There will be bumps and dips and curves, but the idea is to keep moving.

And then what?

I'll be doing revisions and edits and checking galleys on the two books that will be out next year.  While that time seems far away in one sense, March is only 5 months away.  Besides, we all know there is no rest for the wicked. 

This is how I do it...when I do it.  Each writer works out her or his own way.  I have friends who plot even more deeply than I do and others who have scene ideas, but don't actually plot.  Then there are some who plot as they go.  In the beginning, we have a goal and motivation.  In the end, we have a story that becomes a book.  Or we hope it will. :)

Find your way and go with it.  Tweak and make changes when needed.  Just remember that it all revolves around goals and motivation.

Determine never to be idle. No person will have occasion to complain of the want of time who never loses any. It is wonderful how much may be done if we are always doing. ~ Thomas Jefferson

Choosing Our Paths

WRITING WEDNESDAYS

Last week's blog post is still sitting in draft.  After a few paragraphs written during a plague of interruptions, I decided to let it sit and simmer.  I'm glad I did.  Things happen for a reason.

Late last night I finished writing the first three chapters of a new book.  Those pages plus a synopsis will soon be a proposal that will be sent to my agent and then my editor.  Not that it's important, but mostly to set the stage for showing that, although our goals are quite often the same, the ways in which we get there can be very different.

I had a story idea.  I had the main characters.  The setting was already there.  What else did I need?

• Conflict? check
• Characters' backstories? check
• Opening? check
• Idea of what scenes 1-3 (first chapter) will involve? check
• 1st Turning Point? check
• Main Turning Point? check
• Black Moment? check
• Resolution aka HEA? check
• Story plotted?  Uh, not yet, so no check

That's the way I usually start.  Idea, characters (including their GMCs), bare bones plotting and an opening.  It's worked fairly well, but this is the first time I really thought about what I was doing.  I like it better when the plot simply falls into place when I first start to fill out my plotting board, but it didn't happen this time.  Other writers do it different ways.  Some are meticulous plotters, some are pansters and jump right in as soon as an idea strikes.  Others do it a little different each time.

DISCLAIMER:  Below is my method, the path I chose to take.  It is not the right path for everyone.  In fact, a few years ago it wouldn't have been the right path for me.  When I first started writing, it would have definitely NOT been my path.  We grow, we change, and we try new things.

The first chapter went fairly well, and the day after I finished it, I started the second chapter...only to realize chapter 1 need some changes.  Major changes.  All that plotting in my head that I'd done didn't gel when I moved on with the story.  What to do?

My choice at this point was to either go back and rewrite sections of the first chapter or to continue on with the first, keeping in mind what I'll need to change later.  I chose to wait until I finished the third chapter.

Let me say that I have many writing friends who revise and polish as they go.  They're pros at it.  It works well for them and they continue to make it work.  When I try it, I feel like I'm running a race on a treadmill.  I can't let go of the idea that I'm not moving forward.  That's merely a deception I haven't overcome.  Besides, I tell myself, it will have to be done at some point, so why not now?   Well, because I said so, I guess.

When I finished writing the second chapter (without revising anything in the first, but keeping in mind what I would change), I knew my characters much better.  They were letting me in their heads.  I was even jotting down snippets of dialogue to be used later that kept popping into my mind.  Those helped form more scene ideas, so I was able to add more scenes to my plotting board.  I was making headway. But as I opened my template to start chapter 3, I froze.  I was one chapter away from needing a solid plot.

Ideas come to us at the strangest times.  I've been working on making a new habit of taking a pad of paper with me each day when I go to pick up grandkids after school.  I go early for a good parking place, then sit. Prime time, if the brain cooperates.  The day after that third chapter freeze netted me all but three or four scenes for the rest of the book.  To be honest, I was amazed that they came to me so quickly and easily, but looking back, my subconscious was probably working on it all the time when my conscious mind was writing pages.

Last night's writing time took me to the end of chapter 3, so with all three chapters finished, except for the changes that I'll make in chapter one, I'm ready to finish plotting so I can write a seven to eight page synopsis.  Just knowing the main event (mini GMCs) of each scene is like having a road map of where the story is going and where it will end.  Sure, there will be some changes, especially those in the first chapter, but because I'm aware of it, I won't panic.  Or shouldn't, anyway. ☺

That's my path, but rest assured that it changes and morphs with each new story.  I love to hear about the paths of others, because there might be something in them that will be an asset in my mine.  Always remember, your path isn't set in stone.  Like the weather, it can changed in a moment's notice.  That's a good thing, because it means we're not only growing, but these small changes can help keep our writing process fresh.  Choose your path and make it uniquely yours!

Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference. ~ Robert Frost

From THE END to THE BEGINNING

MOTIVATION MONDAYS

One of the things that motivates me to get moving and start writing is when a new story idea is swirling through my head.  That usually happens during the last half of the current WIP, the least helpful time for new conversations to start up between new characters who have begun to take up residence in my head.  There are times when those newbies can get far too loud, drowning out the current characters, who stand in the corner, arms crossed, scowling.  (Yes, that's how they look in my head.  No, I'm not crazy.  I'm a writer.)

What's a writer to do when the new story takes over before the current one is finished?  Notes.  Copious notes.  Some can be salvaged and prove worthy, many won't.  It's a form of brainstorming without...well, without storming the brain. ☺  In fact, it's more like a dumping those maddening bits and pieces to make way for what needs to be attended to.

Yesterday was the official THE END to the writing of DESIGNS ON THE COWBOY.  Sure, there will be revisions.  That's pretty much a given.  And other small things will need to be attended to, such as a dedication and Dear Reader letter.  Those will come later.  For all intents and purposes, the book is finished, and I'm happy.  I like this book.  It's very emotional.  But then damaged heroes are like that.  Throw in a damaged heroine and...   I hope readers will like it, too.

It's all circular.  The end of one is the beginning of another, which eventually ends and another begins.  It's like George Carlin's joke about the spelling of his first name.  "G-E-O-R-G-E-O-R-G-E-O-R..."

Now that I'm done, I should be off on a vacation, right?  YES!  Uh, no.  But while a vacation isn't possible right now, I had planned to give myself a rest on the story/writing stuff for a few days, but it isn't happening.  Those characters are the next thing to yelling at me to get started.  Motivation for cleaning (and other life things) has been pushed aside, while Motivation (notice it's capitalized with a big M) for writing is cranked up to 12 on a scale of 1-10.  Let's face it.  I will be writing.  (Is there a Twitter # for that?)

Where does that motivation come from?  This time it came from one of the minor characters.  It's pretty obvious to me that this character needs her own story.  I hadn't planned it that way.  The heroes of A NANNY FOR THE COWBOY and DESIGNS ON THE COWBOY are brothers.  Simple enough.  Except they have an older sister who keeps butting in and helping them make their lives better, although they don't think so in the beginning.  My thought?  And the two heroes' thought, too.  The tables need to be turned.  She deserves her own story.  It's payback time.

Having a story idea is one of the best motivators to get a writer writing.  There will be times later when that motivation begins to wane, and we have to plant ourselves in a chair and make ourselves write, but for now, I'm eager to get going.  In fact, I started several weeks ago when those first ideas started pushing their way into my head.  For those who have lots of ideas, but the ideas seem to wimp out, long before they become a book, there are several things to help building ideas into a book and keep that motivation going.

• Find a friend and brainstorm
• Write something--anything--at least every-other day, no matter whether it's good or bad, short or long.
• Make a note of any idea, even if you think it isn't all that good.  Bad ideas can lead to aha! moments.
• While doing mindless chores, listen to the voices in your head.  (Just don't tell the family.)
• Play the What If game.
• Interview one of your characters.  Sometimes there's something in his or her past that will spark an idea of where to go next.
• Write scenes out of order.  Have an idea of what's going to happen a few chapters into the book?  Or near the end?  Or does the Black Moment keep getting in the way when you're writing Chapter 4?  Write it!  You don't have to worry that it's perfect or polished, just get it written down.  Save it as its own file for later, then go back to where you were.  You can pick up scene later.  You'll feel better because you made progress.
• Do ideas come to you at the worst times?  Get a voice recorder (or use the one on your cell phone, if it's equipped with one) and record those ideas and even conversations between characters.  Later you can put it into text.  It's great for when you're driving!  With people using Bluetooths (Blueteeth?) these days, no one will pay attention to you.

My best "idea" time is right after I settle in my bed for the night.  I'm sure anyone who thinks, much less writes, has turned on a light to jot something down.  I've been known once or twice to get out of bed, go into my office, pull up a new Word file, and start typing.  I recently went for my voice recorder and made notes that way, complete with the dialogue of three characters.  Be prepared with notepad, laptop, or voice recorder and let the the ideas roll.

Instead of wishing you had motivation, find it. When you find it, use it.  Don't just think about it, do it.  It only takes a little work to set you on the road and move on down it.

"When a man tells you he got rich through hard work, ask him: Whose?" — Don Marquis

Growing a Story

WRITING WEDNESDAYS

Doesn't "growing a story" sound nice?  It conjures up all kinds of words, like "nurturing" and "planting" and "blooming" and "blossoming."  Those words make a person want to dig in and start doing.

As a writer, if the word "plotting" causes you to run to the nearest corner and curl up in a fetal position, thumb in mouth, hair twisted around finger, there's a way to get around it.  Instead of "plotting," think "growing a story."  Why?  Because plotting is nothing more than the growth of an idea into a story with a beginning, a middle, and an end.

Like a garden where we prepare the foundation by turning up the soil where we'll be planting, we prepare our work area for a new story idea.  How many of you clear your desk, pull out a new notepad/notebook, or create a new folder on your computer?

I admit that I have what's become a ritual.  It begins with a new folder bearing the heroine's first name within my Manuscript folder in Documents.  Blanks of forms I'll be needing (storyboard, age chart, character list, pages written total, notes, and more) are added so I have them all in place in advance.  I fill them out as needed and as I go along.  I also put together a new 3-ring binder which contains sheet protectors where I'll keep printed copies of some of those forms, photos of the hero and heroine and anything else that might help me visually.  Yes, I probably overdo it, but it works, so why change it?

Next comes the seeds aka the ideas.  If only they came in order, writing a book would be so much simpler.  They don't, but by watering and fertilizing and giving them time to germinate, the garden begins to show signs of sprouts.  Once those start growing, we have to take care of the weeds, those ideas that don't work well with what is now the overall theme or framework of the story.  The strongest sprouts will become the 8 Plot Points of the story.  Again, those are:

1. Opening
2. Inciting Incident
3. Turning Points (1 or 2)
4. Main Turning Point
5. Black Moment
6. Sacrifice
7. Resolution
8. HEA

Those 8 are the connecting points.  The questions that need to be asked and answered to grow the story are what get the characters from point 1 (A) to 2 (B), from 2 (B) to 3 (C), and so on.  See them as the rows and areas of your garden, building from the beginning to the back end, smaller to larger as the story grows.  Pansies to Sweet Peas to Marigolds to Irises to Climbing Roses.

How to keep track of all this?  A storyboard.

(Disclaimer:  This is the way I do it.  This is NOT the only way. Take what might help, change it around, and make it YOURS.)

The average length of my books is 12 chapters.  I usually have 3 scenes per chapter.  That is NOT set in stone.  It depends on the story. ☺

Here's where I do the work... 

I LOVE whiteboards!  I can write on them or use paper and magnets.  I choose magnets and sticky note sized paper so I can move scenes around.  Sometimes they don't work where I'd first envisioned them!  (Sticky notes tend not to stick for me.)  I only need a brief idea of what the scene is about.  I'll build on that as I write the scene.  I can scribble that on the notes or when I have a good amount of scenes, I can print them on a page and cut them to size.

I was recently introduced to a new way of plotting those basics listed above, while at a writers retreat.  Author Patricia Davids used "Idea" paint on a wall, creating a huge surface that becomes a white board.  Five of us plotted a book for each of two writers, while Pat, then another wrote the ideas on the board.  From there, the writers would fill in the blanks (scenes) between those points.  I was impressed and intend to give it a try in the future.





This is the way I did it before the white board, so cork bulletin boards can work well, too!

(See the rows of seedlings and different types?)
 

Here's a basic version of a blank storyboard, created using a Word .doc, that will be filled out after I've finished plotting and am ready to start writing. Once it's filled out, it's saved and printed, then kept in a sheet protector in my notebook, so I have it on hand as I write the first draft.

Does all of this have to be done to plot a story?  ABSOLUTELY NOT!  It took me a long time to come up with something that worked for me.  I discovered the .doc storyboard above in an old handout book from an RWA conference.  (I'd love to credit the author who created it, but I don't know who it was.)  With that in hand, I changed, added, and removed until I found what worked for me. The white board and paper storyboard is only the latest incarnation, and I have no doubt that I'll be tweaking and making changes yet again before long.

If you've never plotted but feel you should, or if your plotting style just doesn't seem to be working for you, see if any portion of the above will help you.  Always feel free to recreate or adjust any kind of plotting device, until it suits you.  That's the best part.  Nothing is set in stone and improvements can always be made. :)

So where do I start when the tiny glimmer of an idea hits?  I'll share that next week. :)

My stories run up and bite me on the leg - I respond by writing down everything that goes on during the bite. When I finish, the idea lets go and runs off. ~ Ray Bradbury

Cooking Up a Story

WRITING WEDNESDAYS

There are countless articles online for writers that offer all kinds of different ways to go about plotting.  To find them, a simple search for "novel plotting" will produce a gold mine of information.  Some require a lot of detailed work, while others are simple and basic.

After almost twenty years of writing, when it comes to plotting, I've come to the conclusion that each writer must find his or her own method.  That method may be completely designed by the writer from scratch or may be a compilation by that writer of other methods or ways of plotting created by others.

Once you've found your method and use it for a while, you may discover it isn't working as well as it has been and that it needs adjustment for a particular piece of work. Sometimes the entire process needs an overhaul. The main thing to remember is that if whatever you're doing or whatever you're using isn't working, change it or don't use it.  There's nothing worse than trying to wrestle a story using a method that isn't doing the job.  It's a waste of time and energy.

So what are the basics of plotting that a writer uses to build on?  Here's my list:

1. HOW THE STORY BEGINS - An interesting opening that introduces the major characters, the setting, and the conflict or at least a strong hint of it for one of the major characters.  (My focus is romance, but if yours isn't, simply adjust specifics--hero/villain/heroine/protagonist/antagonist, etc)  This does not necessarily mean the opening line, but the gist of the first few pages or scene.
2. THE INCITING INCIDENT - This is where the major conflict comes into play.  It may have been introduced earlier, but something is revealed or learned that makes it the focus of the characters and begins their--always bumpy--journey to their HEA.
3. TURNING POINTS - Something happens that causes a shift or change in the story.  In romance, this is often where one of the characters realizes their feelings for the other character have changed.  Maybe there's a kiss...or more.  Maybe a small secret is revealed.  Maybe the character learns something about the other that makes a difference in how that other character is seen.  The amount of turning points may depend on the length of the story.
4. MAIN TURNING POINT - This is where there's a big change in the story.  In a romance, this change is in the relationship between the hero and heroine.  Everything that has come into play up to this point is now going to shift.  The conflict will change or be seen in a completely different way, as if through different eyes.  The story is about to kick into high gear for the race to the finish line.
5. THE BLACK MOMENT - The brakes come on and everything (the relationship) comes to a screeching halt.  This usually occurs a chapter or two before the last chapter and is where all seems lost to the main characters.  Something irreparable has occurred for at least one of them.  In romance, these two characters are not going to get together for that HEA.  Or so they believe.
6. THE SACRIFICE - One character (or both) must realize that they are not willing to walk away from "what might have been" and they'll do whatever is necessary to make it happen.
7. THE RESOLUTION - Something happens or a characters makes something happen that changes everything, and that HEA is within reach.
8. HEA - Happily Ever After.  The hero and heroine have done whatever is fix any problems they've had in the past, then pledge their love and commitment to each other.  In a mystery, the mystery is solved and the bad guy is caught.

Do I know all of these things at once?  Oh, I wish!  My story ideas usually start with an idea of an opening and a vague idea of the conflict.  At least one of the characters or the personality of one of the characters is a major part of that idea.  Sometimes I'm blessed with luck when the opening scene plays out in my head to tantalize me and make me start asking questions.  It's those questions and the answers that begin the fill-in-the-blank process of plotting.  What happens if even the questions aren't coming along as they should?  That's when I start dialing the phone for some brainstorming.  And while we may not come up with an entire plot, there are enough ideas generated to kick-start the creative spot in my brain to fill in those blanks and move forward with the story.

It's a crazy system and may not work for everyone, but it can be a starting point if you're new at plotting or have hit a brick wall and aren't sure where to turn.  Keeping track of everything and how it plays out can also be crazy time, and because I'm a visual person and need to see where I've been, where I am, and where I'm headed, I use a storyboard.  I'll share my version of that next week.

If writing by the seat of your pants isn't working, or if you simply want to try something new, stick around.  Whatever you do and however you do it, enjoy the journey!

“You are the embodiment of the information you choose to accept and act upon. To change your circumstances you need to change your thinking and subsequent actions.” - Adlin Sinclair 

Summertime...and the Living Isn't So Easy

WRITING WEDNESDAYS

While some enjoy what's popularly called the lazy days of summer, it's becoming more and more not my favorite season.  Not that it has been for a long time.  As time has gone by, I've grown to think of it as the crazy days of summer.

This week we've been cursed with 100+ temperatures.  Yesterday was 106, and my AC had trouble keeping up.  The temp inside was 80, and I don't find that exactly conducive to being able to concentrate.  I should have managed to write more than 7 pages, but I was grousing about the heat most of the day.  And those 7 pages?  They were decent for a rough draft...but they were in the wrong place in the story line and in the wrong POV.

Silly me, I forgot to take a look at my storyboard.  The question now is whether I leave them and adjust my plot, changing around a couple of scenes, or do I rewrite 2 that were not what I intended.  They aren't bad, they just aren't what I'd expected from my characters at this point in the story.

(Note to self:  Check storyboard and synopsis for plot before taking off on morning walk and letting scenes run wild in my head.)

 Yes, I'm a plotter.  I know a lot of writers aren't, and that's okay.  I also know writers who say they aren't plotters, yet they are.  Most experienced writers go into writing a story with some idea of what the story is about, who the main characters are and their GMCs, and a few turning points.  Add the Black Moment and the Resolution, and they have a plot.  It may not be written down, but it's there, and they know basically where the story and the characters are going.

Let me state that I haven't always been a plotter.  My earliest attempts at writing were done on the wings of nothingness.  I sat down, I introduced a hero and heroine, and then I let them and the story take me away.  Looking back, those first attempts weren't horrible, but they definitely were...different.  Back then, I could write a 50-60,000 word book in 10 days.  Now I allow myself 2-3 months, depending on what's going on with my life at the time.  Take my word for it.  FAST IS NOT NECESSARILY BETTER.

How did I got from total pantster to a crazed OCD plotter?  I honestly don't remember.  What I do remember is that my critique buddy, aka Kathie DeNosky, insisted that I learn how to plot, if only enough to know where my story was headed.  Once I sold my first book, she told me, I'd want to sell on proposal, and to do that, I'd better have half a clue who those characters are and what their story is.

Guess what?  She was right.  There's also a bonus to this.  My story goes from point to point, without wandering, and I rarely have to go back and rewrite complete scenes.    When I start to write, I know who the characters are and why they're doing what they're doing.  I know their GMCs and base their story on that.

If you're to the point where you believe you need to learn how to plot or at least want to have an idea of where your story is going and how your characters are going to grow, it's time to get serious about this plotting thing.  I'm here to tell you that it isn't as difficult as it sounds.  Once I learned what I needed to do, the doing became much easier.

Each person creates a story in her own way, but there are some basics that can help make it easier.  If you're ready to start learning those basics or if you feel you need a refresher or something to give you a shove, check back next week.  Let's talk plotting.  :)

Talent is cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work. - Stephen King

Digging Deeper

WRITING WEDNESDAYS

Years ago, my friend Kathie DeNosky sent me several audio tapes of writing workshops to help set me on the course of someday becoming a published author.  One of them was a workshop done by author Naomi (Susan) Horton.  After listening to The Heart of the Love Story, fireworks went off in my head.  I finally had a handle on conflict.

Many thanks to Ms Horton for the words and information that taught me how to write a story that deserved to be told.  Much of what I'm going to share today and in the weeks to come are from that workshop tape.

As writers, we want readers to fall in love with our stories.  To do that we need to make our characters real to them--as real as they are to us as we're writing them.  It takes a type of magic to do that.  It takes EMOTIONS.

1. Characters are the key to an emotional story.
2. Characters only become real when they go beyond being 2-dimensional to become 3-dimensional.
3. The most important time spent writing is not in the writing itself, but in the time spent working out back story.  Work on this one, and the first two will take care of themselves.

Before you sit down at the computer to pull up your word document program or your manuscript template, you need to get to know your characters almost as well as you know yourself.

You need to learn:

1. Who your characters are
2. Why they behave and react as they do
3. Why they're in this particular story at this particular time
4. What they want and don't want
5. What they need and don't need
6. They're passions, goals, dreams, worst nightmares, etc.

The more you know about your characters, the better you'll be able to portray them as 3-dimensional in your stories.  There are many ways to get to know your characters.  Some people use character interviews, while others use sheets with blanks to fill in for things like hair color, habits, family, and more.  If you're not sure where to start, try one of the suggestions listed in Twelve Ways to Get to Know Your Character, compiled by the Alberta Romance Writers' Association.  Even if you aren't able to find exactly the best way for you, any one of the twelve might jump start a way of looking at your characters so you'll be able to create your own "best way."  If nothing there seems to work, try an internet search using *how to get to know your characters* or *character charts* or even *character traits*.  Another way to get started in learning who your characters are is to take a look at the Kiersey Temperament Sorter or a Meyers-Briggs/Jung test.  Whatever gives you the key to learn the best way for you, go with it.

Over the course of time, we might find that the technique we've been using to get to know and understand our characters isn't producing the results we want.  This can happen with anything, even the shampoo we use!  When it does happen, try something new or brainstorm with a friend.  Sometimes a fresh perspective can generate new ideas.   Above all, remember that making your characters real will give life to your stories.

Next week we'll take a look at CONFLICT and how to find it through MOTIVATION.  Yes, that's right!  Back to the M & C of GMC from a new and different angle.

If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats. ~ Richard Bach

Doing the Advance Work

WRITING WEDNESDAYS

I'd planned to share a little more about conflict, but decided at the last minute to skip that until next week, when I've had more time to prepare.  And that's the word for today.  PREPARE.

Preparation is something we do for special things, such as trips and weddings.  We prepare for the weather with ice scrapers and snow shovels for the winter, and fans and lawn chairs for summer.  People in areas where hurricanes and tornadoes threaten plan where to take shelter during storms.  We even buy life insurance and have wills drawn up in advance to prepare for life's end.

Planning is another word for preparation and something we do nearly every day.  We set our alarm to wake us in the morning.  We often plan what we'll make for dinner and make shopping lists---especially as we mature and realize that, with so much to remember, we get forgetful at times.  We have calendars to remind of us doctor appointments, children's activities, and lunch with friends.  Nearly every waking moment of our lives we're either planning and preparing for something or carrying out those plans.

Preparation is the foundation of writing.  When a writer sits down, she must have some kind of idea of where her story will start, who the main characters are, a few things that could happen to those characters and very often how the story might end.  It's rare for a writer to sit down at a keyboard or with pen and paper in hand , with absolutely no idea of what to write.

As each person is different in how they prepare and plan in life, so is each writer.  Some tend to be able to take an idea for a story, add a character or two, and then take off writing.  Others do more planning in advance, knowing the smallest of details about each character and exactly where the story beings, what happens throughout, and how it will end.  The majority of us are probably somewhere in the middle.  For me, that middle spot works, but it took me a few years to find what was comfortable for me.

Here are a few tips for preparing to write fiction.

• Know your genre.  The number of genres in fiction today is mind-boggling.  Do some research to learn about them all, then choose where you feel your writing--your stories--will fit.
• Decide on the length of your story.  Whether your plan is to write a novel, a novella, or a short story, you'll need to have an idea of what the final word count will be.
• Choose the setting of your story.  While this might seem insignificant for some, the setting of your story can be vital.  This is especially true for historical settings.  One can't write a Regency romance set in early 18th century North America.  Research is one part of preparation that shouldn't be skipped.  Even contemporary settings often need a bit of research.
• Know your characters.  They need names.  Have an idea of what they look like.  Ask yourself what type of people they are.  There are hundreds of resources to help you know your characters better, so don't fudge on this.  If your characters aren't real to readers, there will be no interest in the story.  Remember GMC and use it.
• Beginning, Middle and End.  Know where your story will start, a few things--especially turning points (more on that later)--that happen in the story, and how the story will end.
• Grammar, spelling, and punctuation.  Brush up on grammar basics.  While there are some readers who don't notice small mistakes, others will close a book forever if they stumble over bad grammar, poor spelling, or missing/unneeded punctuation.
• Find a good writers' group.  It really does help to have friends who share your enthusiasm and are there to help you up when you stumble.  People who don't write won't do.  You need other writers, even if it isn't live and in person.
• Don't give up.  Let me repeat that.  DON'T GIVE UP.  If you really, really want to write, you can't throw your hands up when the road gets a little bumpy.  Stick with it.

The above is just a sampling of writing preparations.  Even after the plans are complete and the preps have been done, when the actual writing has begun, there'll be more that will pop up.  Don't be discouraged.  We didn't know everything about life the moment we were born, and neither do we know everything about our story when we start to write it.  But as writers, we have that chance to prepare and start a few steps ahead before the writing begins.  Take the chance.  Prepare.  And then write!

Tell the readers a story! Because without a story, you are merely using words to prove you can string them together in logical sentences.

- Anne McCaffrey